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    <dcterms:title><![CDATA[Bonarelli, Guidobaldo (1563-1608). Lyricist-Poet]]></dcterms:title>
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    <dcterms:title><![CDATA[Bona, Mattheo de  (…-…). Dedicatee]]></dcterms:title>
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    <dcterms:title><![CDATA[Beltrano, Ottavio (1598-1654). Bookseller]]></dcterms:title>
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    <dcterms:title><![CDATA[Basurto, Alfonso.  (…-…). Dedicatee]]></dcterms:title>
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    <dcterms:title><![CDATA[Baldini, Vittorio (…-1618). Bookseller]]></dcterms:title>
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    <dcterms:title><![CDATA[Avalos, Alfonso d&#039; (1502-1546). Lyricist-Poet]]></dcterms:title>
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    <dcterms:title><![CDATA[Arlotti, Ridolfo (…-…). Lyricist-Poet]]></dcterms:title>
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    <dcterms:title><![CDATA[Archilei, Ferdinando (…-…). Editor; Dedicator]]></dcterms:title>
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    <dcterms:title><![CDATA[Aquino, Tommaso d&#039; (1225-1274). Lyricist-Poet]]></dcterms:title>
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    <dcterms:title><![CDATA[Anonymus. Composer]]></dcterms:title>
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    <dcterms:title><![CDATA[Alberti, Filippo (1548-1612). Lyricist-Poet]]></dcterms:title>
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    <dcterms:title><![CDATA[The devil &amp; Maria d&#039;Avalos]]></dcterms:title>
    <dcterms:creator><![CDATA[Victoria Hammond]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Allen &amp; Unwin]]></dcterms:publisher>
    <dcterms:date><![CDATA[2007.]]></dcterms:date>
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    <dcterms:title><![CDATA[O dolce, o strana morte]]></dcterms:title>
    <dcterms:creator><![CDATA[Lorenzo Arruga]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Rizzoli]]></dcterms:publisher>
    <dcterms:date><![CDATA[2007.]]></dcterms:date>
    <dcterms:language><![CDATA[it]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
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    <dcterms:title><![CDATA[Gesualdo da Venosa: fasti dimenticati di un principe del Rinascimento]]></dcterms:title>
    <dcterms:creator><![CDATA[Orsola Tarantino Fraternali]]></dcterms:creator>
    <dcterms:creator><![CDATA[Kathy Toma]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Luciano de Venezia]]></dcterms:publisher>
    <dcterms:date><![CDATA[2009]]></dcterms:date>
    <dcterms:contributor><![CDATA[Claudio Abbado]]></dcterms:contributor>
    <dcterms:language><![CDATA[it]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
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    <dcterms:title><![CDATA[Ear training : an approach through music literature]]></dcterms:title>
    <dcterms:creator><![CDATA[Gary E. Wittlich]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Harcourt Brace Jovanovich]]></dcterms:publisher>
    <dcterms:date><![CDATA[1974]]></dcterms:date>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
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    <dcterms:title><![CDATA[Ludd! ; and, Canticle]]></dcterms:title>
    <dcterms:creator><![CDATA[John MacKendrick]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Alumnus]]></dcterms:publisher>
    <dcterms:date><![CDATA[1996]]></dcterms:date>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.ricercar.gesualdo-online.cesr.univ-tours.fr/items/show/2675">
    <dcterms:title><![CDATA[Das ästhetische Dilemma der italienischen Komponisten in den 1590er Jahren : die chromatik in den späten Madrigalen von Luca Marenzio und Carlo Gesualdo]]></dcterms:title>
    <dcterms:creator><![CDATA[Helmut Schönecker]]></dcterms:creator>
    <dcterms:publisher><![CDATA[P. Lang]]></dcterms:publisher>
    <dcterms:date><![CDATA[2000]]></dcterms:date>
    <dcterms:language><![CDATA[de]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
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    <dcterms:title><![CDATA[Modal subjectivities: self-fashioning in the Italian madrigal]]></dcterms:title>
    <dcterms:creator><![CDATA[Susan McClary]]></dcterms:creator>
    <dcterms:publisher><![CDATA[University of California Press]]></dcterms:publisher>
    <dcterms:date><![CDATA[2004]]></dcterms:date>
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    <dcterms:type><![CDATA[Book]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.ricercar.gesualdo-online.cesr.univ-tours.fr/items/show/2673">
    <dcterms:title><![CDATA[Le composi-tueur et l&#039;harmonie perdue:vie et mort de Carlo Gesualdo (1560-1613), du madrigal polyphonique italien, d&#039;un idéal aristocratique, et d&#039;une manière de penser la musique et le monde]]></dcterms:title>
    <dcterms:creator><![CDATA[Patrick Tenoudji]]></dcterms:creator>
    <dcterms:date><![CDATA[1997]]></dcterms:date>
    <dcterms:contributor><![CDATA[Daniel De Coppet]]></dcterms:contributor>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[Thesis]]></dcterms:type>
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