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    <dcterms:title><![CDATA[La musica a Napoli nel Seicento (dal Gesualdo allo Scarlatti)]]></dcterms:title>
    <dcterms:creator><![CDATA[U. Prota- Giurleo]]></dcterms:creator>
    <dcterms:date><![CDATA[1928]]></dcterms:date>
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    <dcterms:title><![CDATA[Madrigali a 5 voci: trascritti in notazione moderna con sottoposto un sunto per pianoforte]]></dcterms:title>
    <dcterms:creator><![CDATA[Carlo Gesualdo]]></dcterms:creator>
    <dcterms:creator><![CDATA[Ildebrando Pizzetti]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Istituto Editoriale Italiano]]></dcterms:publisher>
    <dcterms:date><![CDATA[1919]]></dcterms:date>
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    <dcterms:title><![CDATA[Carlo Gesualdo, Prince of Venosa: Musician and Murderer]]></dcterms:title>
    <dcterms:creator><![CDATA[Cecil Gray]]></dcterms:creator>
    <dcterms:creator><![CDATA[Philip Heseltine]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Kegan Paul, Trench, Trubner &amp; Co.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1926]]></dcterms:date>
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    <dcterms:title><![CDATA[Canzoni spirituali del Cinquecento: una piccola raccolta bresciana]]></dcterms:title>
    <dcterms:creator><![CDATA[P. Guerrini]]></dcterms:creator>
    <dcterms:date><![CDATA[1922]]></dcterms:date>
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    <dcterms:title><![CDATA[8  Madrigale: für fünfstimmigen Chor]]></dcterms:title>
    <dcterms:creator><![CDATA[Carlo Gesualdo]]></dcterms:creator>
    <dcterms:creator><![CDATA[Wilhelm Weismann]]></dcterms:creator>
    <dcterms:publisher><![CDATA[C.F. Peters Corporation]]></dcterms:publisher>
    <dcterms:date><![CDATA[1931]]></dcterms:date>
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    <dcterms:title><![CDATA[Nei parentali (1614–1914) di Felice Anerio e di Carlo Gesualdo, Principe di Venosa]]></dcterms:title>
    <dcterms:creator><![CDATA[Luigi Torri]]></dcterms:creator>
    <dcterms:date><![CDATA[1914]]></dcterms:date>
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    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Die Madrigale Gesualdos von Venosa]]></dcterms:title>
    <dcterms:creator><![CDATA[Ferdinand Keiner]]></dcterms:creator>
    <dcterms:date><![CDATA[1914]]></dcterms:date>
    <dcterms:language><![CDATA[de]]></dcterms:language>
    <dcterms:type><![CDATA[Thesis]]></dcterms:type>
    <dcterms:type><![CDATA[Ph.D.]]></dcterms:type>
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    <dcterms:title><![CDATA[Responsoria sanctae spectantia et alia ad Officium hebdomadae für sechs Stimmen: Nach dem Partiturdruck von 1611]]></dcterms:title>
    <dcterms:creator><![CDATA[Carlo Gesualdo]]></dcterms:creator>
    <dcterms:creator><![CDATA[Glenn Watkins]]></dcterms:creator>
    <dcterms:publisher><![CDATA[VEB Deutscher Verlag für Musik]]></dcterms:publisher>
    <dcterms:date><![CDATA[1982]]></dcterms:date>
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    <dcterms:title><![CDATA[Proposition d&#039;analyse pour une polyphonie vocale du XVIe siècle]]></dcterms:title>
    <dcterms:creator><![CDATA[Jean-Michel Vaccaro]]></dcterms:creator>
    <dcterms:date><![CDATA[1975]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright © 1975 Société Française de Musicologie]]></dcterms:rights>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Cerone as historian]]></dcterms:title>
    <dcterms:creator><![CDATA[Enrique Alberto Arias]]></dcterms:creator>
    <dcterms:date><![CDATA[2003]]></dcterms:date>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Mo(nu)mento di Carlo Gesualdo]]></dcterms:title>
    <dcterms:creator><![CDATA[Claudia Vincis]]></dcterms:creator>
    <dcterms:creator><![CDATA[Paolo Dal Molin]]></dcterms:creator>
    <dcterms:date><![CDATA[2004]]></dcterms:date>
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    <dcterms:title><![CDATA[Antico or Moderno ? Reception of Gesualdo’s Madrigals in the Early Seventeenth Century]]></dcterms:title>
    <dcterms:creator><![CDATA[Catherine Deutsch]]></dcterms:creator>
    <dcterms:date><![CDATA[03/2013]]></dcterms:date>
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    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Schnittke&#039;s &#039;Gesualdo&#039; in Vienna]]></dcterms:title>
    <dcterms:creator><![CDATA[Ronald Weitzman]]></dcterms:creator>
    <dcterms:date><![CDATA[10/1995]]></dcterms:date>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Madrigali per cantare e sonare a uno, due e tre soprani : 1601]]></dcterms:title>
    <dcterms:creator><![CDATA[Luzzasco Luzzaschi]]></dcterms:creator>
    <dcterms:creator><![CDATA[Adriano Cavicchi]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Barenreiter]]></dcterms:publisher>
    <dcterms:date><![CDATA[1965]]></dcterms:date>
    <dcterms:language><![CDATA[it]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
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    <dcterms:title><![CDATA[Gesualdo in a New Light]]></dcterms:title>
    <dcterms:creator><![CDATA[Denis Stevens]]></dcterms:creator>
    <dcterms:date><![CDATA[1962]]></dcterms:date>
    <dcterms:rights><![CDATA[ArticleType: research-article / Full publication date: May, 1962 / Copyright © 1962 Musical Times Publications Ltd.]]></dcterms:rights>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[I madrigali a quattro voci di Pomponio Nenna]]></dcterms:title>
    <dcterms:creator><![CDATA[Angelo Pompilio]]></dcterms:creator>
    <dcterms:publisher><![CDATA[L.S. Olschki]]></dcterms:publisher>
    <dcterms:date><![CDATA[1983]]></dcterms:date>
    <dcterms:language><![CDATA[it]]></dcterms:language>
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    <dcterms:title><![CDATA[The Mannerist Murderer]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard Langham Smith]]></dcterms:creator>
    <dcterms:date><![CDATA[1992]]></dcterms:date>
    <dcterms:rights><![CDATA[ArticleType: book-review / Full publication date: Oct., 1992 / Copyright © 1992 Musical Times Publications Ltd.]]></dcterms:rights>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Il secondo libro di madrigali a cinque v. di A. Fontanelli (1604)]]></dcterms:title>
    <dcterms:creator><![CDATA[L. Sirch]]></dcterms:creator>
    <dcterms:date><![CDATA[1986]]></dcterms:date>
    <dcterms:language><![CDATA[it]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Carlo Gesualdo and a Musical Correspondence of 1594]]></dcterms:title>
    <dcterms:creator><![CDATA[Anthony Newcomb]]></dcterms:creator>
    <dcterms:date><![CDATA[1968]]></dcterms:date>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Tres sacrae cantiones]]></dcterms:title>
    <dcterms:creator><![CDATA[Carlo Gesualdo]]></dcterms:creator>
    <dcterms:creator><![CDATA[Igor Fedorovitch Stravinsky]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Boosey &amp; Hawkes]]></dcterms:publisher>
    <dcterms:date><![CDATA[1960]]></dcterms:date>
    <dcterms:language><![CDATA[en]]></dcterms:language>
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